1.
Sanyal P. Locational Evocational and Emotional Topography in Anita Desai’s Fire on the Mountain, Clear Light of Day and Cry, the Peacock. Integr. J. Res. Arts Humanities [Internet]. 2022 Sep. 9 [cited 2024 Nov. 21];2(5):33-7. Available from: https://ijrah.com/index.php/ijrah/article/view/89