SANYAL, P. . Locational Evocational and Emotional Topography in Anita Desai’s Fire on the Mountain, Clear Light of Day and Cry, the Peacock. Integrated Journal for Research in Arts and Humanities, [S. l.], v. 2, n. 5, p. 33–37, 2022. DOI: 10.55544/ijrah.2.5.6. Disponível em: https://ijrah.com/index.php/ijrah/article/view/89. Acesso em: 21 nov. 2024.